Equilibrium is Everywhere

Equilibrium in Europe

DVD presentation “Taking Risks” (Accentus Music) in Berlin

Masterclasses in Paris and London
– École Normale de Musique de Paris,
Cours d’Interprétation Public, March 2018
– Trinity Laban Conservatoire of Music, 11 May 2018
National Opera Studio / ROH masterclass (sold-out),
16 May 2018

– Showcase for EQ singers (private event), Canada House, April 2018
– Guest speaker, IMD Alumni Club of the United Kingdom / Swiss Embassy, May 2018


Debriefing after our EQ Accentus documentary presentation with IMZ Avant Premiere in Berlin. Three EQ singers joined in the event: Aphrodite Patoulidou, Douglas Williams and Marta Swiderska

The Equilibrium movement has been reaching my younger colleagues in other ways this past autumn.

– a short residency in October at the Juilliard School in New York
– a masterclass for Royal Conservatory and University of Toronto students in Toronto
– an evening of great dialogue with composers and librettists at American Lyric Theater
– a masterclass for singers at the Curtis Institute in Philadelphia

Curtis Institute, Philadelphia, November 2017

Gabriella Teychenné

This past December I was assisted by the young(er than me) conductor Gabriella Teychenné on my European tour with the Netherlands’ Ludwig Orchestra. She was a welcome addition to our tour. Her positive energy and fierce talent were inspiring to me and to the players in the orchestra.  I was very happy she assisted me for my concerts in January 2018 at Munich Philharmonic! 

Gabriella will be assisting me with most of my conducting engagements in the 2018/2019 season, including concerts with the Toronto Symphony Orchestra, Cleveland Orchestra, Munich Philharmonic, London Symphony Orchestra, Danish Radio Symphony Orchestra, Juilliard Orchestra, and Orchestre philharmonique de Radio France. 

Gabriella Teychenné is a young London-based conductor who is currently acting as assistant conductor to Vladimir Jurowski and the London Philharmonic Orchestra. She began in summer 2017 at Glyndebourne Festival Opera during Brett Dean’s new opera Hamlet and continued in London for the remainder of 2017, during which time she also accompanied the orchestra on their tour across Japan. In December 2017, she worked as assistant conductor to Barbara Hannigan and the Ludwig Orchestra on tour across Europe, and in January 2018 she assists Barbara Hannigan again with the Münchner Philharmoniker.
She has been praised for the “intensity and honesty of her musicianship”, and has conducted orchestras both in the UK and abroad in Europe, and as a supporter of contemporary music she enjoys collaborating with current composers, in particular as a scholar at Musicfest Festival in Aberystwyth, where she has led several premieres of new works.
Of Argentine-British parentage, she was trained as a violinist and musician from an early age. She later went on to complete her undergraduate at the University of Cambridge, where she graduated in History of Philosophical Thought. Subsequently, she won a place to study for a Master’s in violin and conducting at the Royal College of Music.
Intellectually curious and passionate, she enjoys learning about and drawing from different disciplines and influences to shape and inform her music-making, including engaging in other musical styles such as early music, musical theatre, jazz, electronic and film. Her hobbies include card-magic, mountain walking and photography.


Barbara Hannigan and Friends

On September 25th, the Barbara Hannigan and Friends concert took place at Maison de Radio France. It was a performance for live audience, followed by a rebroadcast of the concert on October 2nd, as part of the Journée Spéciale de Barbara Hannigan on Radio France. I invited three EQ singers to share the stage with me and my other guests (Stephane Dégout, Alexandre Tharaud, Alphonse Cémin and Michel Portal).

Read more about the concert, including performances of EQ singers Fleur Barron, Sophia Burgos, and Antoin Herrera-Lopez Kessel.



Also by way of EQ, the pianist, composer and conductor Edo Frenkel got in touch, and serendipity created an opportunity for us to work together in the preparation of a Satie Socrate project at the Ruhrtriennale. I look forward to working with him again in future.

Edo Frenkel is a conductor, composer, and pianist whose work spans the repertoire of the standard western canon, opera, contemporary music, and free improvisation. His work has been described as "groundbreaking ... an integration of raw emotion and music" (Rochestariat).
His compositions have been lauded as “A kind of Edgar Varèse-esque cacophony for the Digital Age" (Democrat & Chronicle) that “leaves you aghast.”(kwadratuur.com).
As a conductor, Mr. Frenkel has appeared with several notable groups including Tonkünstler Orchester-Neideröstereich, Ensemble Intercontemporain, Ensemble Meitar, JACK Quartet, New World Symphony, and Ensemble Mise-en.
He is tremendously dedicated to the future of music, collaborating with notable composers such as Helmut Lachenmann, Sofia Gubaidulina, and Frederic Durieux.
Mr. Frenkel’s own compositions, ranging from acoustic concert music to electronic installations, have been performed by such groups as Talea Ensemble, EXAUDI vocal ensemble, and Ensemble Paramirabo.
Mr. Frenkel is regularly featured in festivals in Europe. His piece So, for solo violin, is featured on Takao Hyakutome’s LP "Monolith" and his electronic installation "Face Piece" was aired on The Discovery Channel’s "Daily Planet".


Sophia joined us for the EQ auditions in Stockholm and then for the LUDWIG tour last December. She will be with us for The Rake’s Progress: writing, contributing, and learning with the team.

Sophia Anna Edlund is a Swedish interdisciplinary artist and researcher. She is currently based in London, where she is studying an MSc in Performance Science at the Royal College of Music. Her studies are interdisciplinary with a degree in English Literature from the University of Edinburgh followed by a Masters in Text and Performance from the Royal Academy of Dramatic Art. Sophia uses the myth of the Sirens' song as a platform for her artistic practice interweaving vocal and visual art. Sophia's research interest is centered around the psychology of performance with a particular focus on singer's mindset, wellbeing, and presence. Constantly seeking new artistic and intellectual challenges, Sophia feels that the Equilibrium project offers endless opportunities for her forthcoming PhD research on the singing situation: The Island of the Sirens/singers.